Performance as public work
As a Fulbright Fellow in Zimbabwe, I worked with a women’s theater group using performance to open conversations about women, development, health, and community life.
My work moves between feminist theory, performance, yoga, technology, and community life. Across three decades, the question has stayed constant: who gets to shape the systems that shape us?
AI is not only a technical project. It is a cultural story, a political arrangement, and a philosophical test.
Reading the promises and anxieties around artificial intelligence through power, embodiment, narrative, and social difference—not only capability.
Developing a public-interest framework for how communities might share in the value created by the data, energy, land, labor, and infrastructure that make large-scale computation possible.
Following the politics of underrepresented languages in AI, especially the relationship between global access, local knowledge, and the people whose work makes language systems possible.
Bringing poststructural analysis into conversation with the fear of recursive self-improvement: what changes when a discourse appears to become an actor?
The work has changed forms—from theater to policy, classrooms to campaigns—but it has always been about culture in motion.
As a Fulbright Fellow in Zimbabwe, I worked with a women’s theater group using performance to open conversations about women, development, health, and community life.
At the Japan–U.S. Partnership for the Performing Arts, I helped administer intercultural exchange and connect artists, funders, and institutions.
As a senior policy researcher at the Center for Digital Government, I designed research on how public institutions use technology and interviewed government technology leaders nationwide.
I have taught government, philosophy, religion, performance, social studies, mathematics, and English—from college seminars to public-school and refugee classrooms.
My PhD at UC Davis examined women and yoga in the United States, bringing together embodiment, spirituality, activism, and social power. The dissertation was a finalist for the National Women’s Studies Association First Book Prize.
I am most at home where a big idea meets an actual room full of people.
Ask what an idea has to do with the community. That is not an afterthought—it is a research method.Across scholarship, teaching, organizing, and public service
I bring a scholar’s pattern recognition, an educator’s attentiveness, and an organizer’s sense of what it takes to move from language to action.
That has meant convening conference panels, designing learning experiences, supporting immigrant and refugee students, organizing across rural communities, delivering wildfire relief, and advocating at the state capitol.
It also means staying with the tension between observer and participant: the researcher inside the system, the performer inside the analysis, the teacher learning from the room.
Writing is where the threads meet: theory with ordinary life, embodiment with politics, and personal practice with shared structures.